I knew the panic would set in at some point.
I just didn't think it would be so close to the start....
I wasn't finished with the drawing but felt anxious to get painting...so I began by mixing the dry pigment with the egg yolk and distilled water, straight...no mixing of colors -just to see how egg tempera felt, moved, laid.
First thought...Is this worth it?
This is a lot of work, and a huge mess!
I just didn't think it would be so close to the start....
I wasn't finished with the drawing but felt anxious to get painting...so I began by mixing the dry pigment with the egg yolk and distilled water, straight...no mixing of colors -just to see how egg tempera felt, moved, laid.
First thought...Is this worth it?
This is a lot of work, and a huge mess!
Then that haunting voice in my head, "Don't be lazy....Make the effort, you are supposed to be learning something new. Grow why don't you!"
I decided cups were the way to go, and NOT my glass pallet. I realized that unlike doing fresco, I didn't need the muller to blend the pigment, the brush was enough to "stir" it together.
The white looks yellow, from the yolk. But once laid on the painting, it was white enough. :-)
But!!!!!!!! I didn't buy any red pigment, the closest I had was this burnt umber. Being me and extremely impatient, I started painting anyway...yes the part that should be RED! I know, I know...but I did. I know I will have to go over it, but that's ok, this is just a test...
I like it! A lot, and yet I don't.
It does blend really nicely on the panel. That was a big plus!
-Everything I read said it wouldn't, or at least that I would have to cross hatch to blend layers and layers. (Not a huge fan of cross hatching...I know it has it's place, but I wasn't excited about cross hatching an entire 4 x 5 ft painting).
I could easily see how the layers effected one another, and had a very "oily" quality about them, but the paint dries so fast that it's a lot like acrylic (well, more gouache actually - flat, and a bit dull - con!).
I can see why the great masters applied oil on top of egg tempera, and I suppose I might too, the dull isn't pretty, isn't powerful, isn't special.
Sorry Steve....but your yolk isn't as illuminating as I had hoped! (Probably because I haven't layered the paint...)
:-)
Layering of paint is NOT how I normally work. I'm an out of the tube and quick to make a mark type...this is definitely going to slow me down and make me think while I paint....I wonder how that's going to work out???
:-)
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